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Alex Helfrecht,Jörg Tittel
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Djata is a care-free 12-year-old growing up in the dystopian Homeland. When he finds out that his father Peter has been imprisoned by the authorities and he and his mother Hannah are labeled traitors, Djata vows he will not rest until he sees his father again.
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Sokyou Chea,Inrasothythep Neth
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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
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沃尔克·施隆多夫
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Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
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西恩·埃利斯
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一对已婚夫妇麦（Althea Vega 饰）和奥斯卡（杰克·马卡帕高 Jake Macapagal 饰），他们生活在菲律宾北部，种植水稻，但发现无法维持生计，尤其是照顾两个小女儿。为了寻求更好的生活，他们决定前往首都马尼拉。然而，一旦他们到达那里，他们的金钱很快用完，迫使他们不得不寻找工作以维持生计。 麦被迫去酒吧打工，这通常是一种为了生活费而不得不采取的工作。与此同时，奥斯卡找到了一份驾驶和防护装甲卡车的工作，希望能赚到足够的钱来支持家庭。然而，不幸的是，奥斯卡卷入了一桩抢劫案的阴谋中，这可能会对他和他的家庭造成严重的影响。
导演：
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Yaël Farber
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故事发生在1692年的美国，一个名为萨勒姆的小临时演员 电影 2017镇之中，在这里生活着一群思想单纯，甚至有些愚昧的村民们。阿比盖尔（萨曼莎·科利 Samantha Colley 饰）是牧师的外甥女，她爱上了名为普罗克托的男人，然而，普罗克托已经有家室了，这段感情在普罗克托的妻子伊丽莎白发现之 后，迅速走向了破灭。 阿比盖尔失败的恋情在小镇里传开了，她遭到了同伴们的嘲笑和奚落，愤怒和羞愧中，阿比盖尔在森林龙魂时刻里举行了诅咒仪式，诅咒伊丽莎白。这场仪式被刚好经过的帕里斯牧师给看到了，虽然没有看清究竟是谁在举行仪式，但是村子里存在女巫的消息很快就传开了，整个小镇陷入了恐慌之中……
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James Chick
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When a paranormal social media influencer winds up dead, a USFS ranger must pull himself out of mourning to grapple with the reality of the fact that Bigfoot might actually exist, and be responsible for a string of unu我的同学两亿岁sual deaths in his small town.
