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Alix Austin,Keir Siewert
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When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature. He gradually succumbs to the poison of the decaying relationship, becoming a creature with increased aggression, a touch that melts skin and worst of all, he's contagious.
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达勒姆·哈里森
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圣诞节前五天，Xander Point 的人们对于他们传奇的灯塔是否继续运营意见不一。市长詹姆斯告诉深受爱戴的看护人伊恩牧师和他的治疗师妻子科琳，市议会投票决定拆除这座地标建筑，建造现代化的住所，以吸引更多游客来到这个海滨小镇。当科琳准备在灯塔度过她的最后一个圣诞节时，她最好的朋友布里回家过节。她对与科尔顿的订婚感到不安，仍在哀悼失去她的真爱雅各布，她认为雅各布在几年前的战斗中阵亡了。她不知道，雅各布还活着，在镇上寻求科琳的指导，科琳想出了一个让两人走到一起的无辜计划。与此同时，在圣诞前夕，市长詹姆斯的小儿子在被学校的孩子们欺负后，独自乘着父亲的船出海，担心在海上迷路了。灯塔能否在圣诞节期间再次让 Xander Point 的家庭团聚，并免遭毁灭。
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Alex Helfrecht,Jörg Tittel
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Djata is a care-free 12-year-old growing up in the dystopian Homeland. When he finds out that his father Peter has been imprisoned by the authorities and he and his mother Hannah are labeled traitors, Djata vows he will not rest until he sees his father again.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。
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Nick Chinlund
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原美国特种兵杰克•坎贝尔（Max Martini 饰）因殴打残酷暴虐的上司而被逐出兵营，落寞的他回到家乡，却发现弟弟乔伊（Brandon Quinn 饰）被人打成重伤，昏迷不醒。乔伊的妻子莎拉（E蜜芽miya2288188永不失联rin Cottrell 饰）怀有身孕，为了让妻儿生活幸福，他拼命打工赚钱，结果因赌博欠下巨额赌债，为此不得不在黑市拳组织者波普（Nick Chinlund 饰）的安排下参加黑市拳比赛，导致身受重伤。 杰克发誓为弟弟报仇，四处寻找凶手，其高超达科塔 高尤身手被波普相中。在这个狡猾的组织者的策划下，杰克步入黑市拳赛场，一步步向拳场的王者艾赛亚•格里芬（Sidney S. Liufau 饰）发起挑战……
